I hide the dirty minutes under my dirty mattress and they are making me itch
June 11th 2009 | 15:09 | Music

I am currently existing at a higher level of excitement, dear readers, as tomorrow I get to stand in a field and see one of ‘those’ bands. You know the ones, that rare breed that makes a massive impact on you at a young age, who shape your musical horizons and then disappear into the night just as you get to the age you could actually go and see them live.
I was introduced to Faith No More in the early 90’s in the only way that a young kid could get into music back then. I was lent their album by an older kid. At my school I was pretty universally hated by most of my year, for reasons I never fully grasped. But amongst some of the boys in the higher years such things didn’t seem to matter and they saw me as a geeky little spotty kid who seemed to be the one with a good tape collection, who always sat with headphones in his ears.
The truth is, I had my headphones in my ears chiefly because being bullied at boarding school is an unrelenting 24 hour a day ordeal, and because sticking my headphones in at least cut out the verbal abuse. But this was when I started to notice such things as lyrics, riffs and those separate components of music that make up a whole. It was how I grew from being a music fan into an obsessive.
Two years above me were two boys whose names completely escape me now, but for a little while in my first year they took me under their wing. They were both windsurfers, and at 15 or so, were far more schooled in the ways of grunge cool. They were the ones who sat me down to watch the Point Break VHS so often in the common room that we broke the tape and had learnt the whole script. It was them who insisted we watch the MTV Awards coverage. It was them who pressed the cassette of FNM’s ‘The Real Thing’ into my sweaty teen aged palms after discovering that I hadn’t heard it, a mixture of incredulity and disgust running across their faces.
If you’ve never heard Faith No More past their one big hit, ‘epic’ then you missed out on one of the most inventive and wildly, belligerently authentic bands of all time. Initially dismissed as a rip off of the Red Hot Chilli Peppers, they then veered wildly into their own territory, greedily guzzling at whatever genre took their fancy, from covering the Bee Gees and Lionel Ritchie to performing ‘Digging The Grave’ in front of an utterly bemused Top of the Pops audience, Mike Patton’s throat damaging scream visibly stunning the Brit-Pop era teenagers.
This is the same bad who courted nothing but controversy, some for good (they were the first alternative mainstream American band I can remember with an openly gay member) some bad (Mike Patton’s scatological tendencies which saw him taking a dump in a hotel hairdryer because he liked the idea of the next resident of the room getting a surprise) and finally imploded under the weight of their own internal disagreements, and left one boy in Essex utterly heartbroken that he hadn’t been able to see them just once.
Since their split, Mike Patton has been the most productive, churning out release after release of varying quality with people as diverse at Noisecore icons Dillinger Escape Plan and Gorillaz stalwart Dan The Automator. Other members have done a variety of different projects, and all the while the idea of a reunion seemed about as unlikely as a Nirvana reunion.
And yet tomorrow I will be stood in a field, watching five of my idols, who taught me that diversity in music is something sacrosanct, that sticking to the rules will get you nowhere, who to me were the only band who made it big and remained true to that punk rock ethic of doing it for yourselves rather than your audience. And that will be for me a very happy day.
Unless of course they suck.



